11 de março de 2012
7 de março de 2012
Letras 59
“Somos o que repetidamente fazemos. A excelência, portanto, não é um feito, mas um hábito”.
ARISTÓTELES
ARISTÓTELES
“Plante
uma idéia, colha um feito; plante um feito, colha um hábito; plante um
hábito, colha um caráter; plante um caráter, colha um destino”.
"Fazer, todos os dias, as mesmas coisas e esperar resultados diferentes é a maior prova de insanidade." Albert Einstein
29 de fevereiro de 2012
Cool Things
Saiu o resultado das eleições de melhores de 2012 da Roadie Crew, maior revista especializada em metal do Brasil. O Almah ganhou melhor banda nacional de Metal, o nosso CD Motion melhor CD de metal, o Felipe melhor baixista e eu, o Paulo e o Edu figuramos mais uma vez entre os 10 melhores do Brasil (assim como na eleição do Whiplash).
Agradeço todos os fãs, parceiros e amigos que votaram na gente. Muito obrigado mesmo.
http://www.roadiecrew.com/mtOnlineDetalhe.php?id=166
20 de fevereiro de 2012
Mais um...
Acabei de ler esse agora nesta última viagem pra Floripa. ALgumas horas de vôo era o que estava me faltando pra colocar a leitura em dia.
Este livro me foi emprestado pela amiga Rafa e agora tenho que envbia-lo de volta para San Siego, Califórnia. Obrigado Rafa, por abrir mão da sua leitura na metade para atender o meu pedido de traze-lo comigo.
É um livro leve e interessante e trata basicamente (como o título sugere) de como e porque trabalhar a sua marca pessoal. Todos os conceitos podem e devem ser aplicados também para a área empresarial. A leitura é simples e tirando o fato de em alguns momentos ser repetitivo o conteúdo é interessante e válido.
Encontrei em um site uma resenha que trazia alguns pontos importantes do livro. Copio abaixo as partes mencionadas por tal site como as mais importantes:
“O conhecimento é a base igual para todos. Mas é a paixão que traz brilho aos olhos, que vai tirar você do mar da medianidade.”
ou
“Pare de ser normal. ser normal é ser mediano. e a medianidade só levará você a viver e ganhar na média”
e
“Existem dois momentos importantes na vida de uma pessoa. O primeiro é quando ela nasce. O segundo quando ela descobre porque veio ao mundo.”
.
Arthur, que sabe bem como tirar marcas de produtos e empresas do que ele classifica como medianidade, empresta sua visão experiente e um discurso afinado para ajudar a construir marcas pessoais. Se você está insatisfeito com os resultados da sua carreira ou como os seus colegas e superiores lhe enxergam – uma boa idéia é dar uma lida nas 10 Leis do livro que trago abaixo e, se motivar-se a realmente se comprometer em ser responsável pela alavancagem da própria carreira, compre o livro.
10 Leis do Sucesso da Marca Pessoal
1a Lei: O valor está na diferença
Se você se diferenciar ganha valor. Se igualando – fica na medianidade.2a Lei: Ser tudo é não ser nada
Não é concebível ser bom em tudo. Escolha algo no qual se destaque e foque nesse ponto.3a Lei: Cultive um defeito
Grandes líderes cultivam manias ou hábitos estranhos que os tornam mais humanos, mais perto de nós. Um pequeno defeito na sua imagem o permitirá deixá-la menos plastificada ou com cara de construída.4a Lei: Construa uma história
Dramas, quedas, sucessos fantásticos, histórias de sofrimento, exemplos de vida, reforçam e emoção e alma para a sua imagem5a Lei: Imagem pessoal é apenas parte do processo
Você precisa de conteúdo, posicionamento e relacionamento. Suas atitudes devem refletir a sua imagem.6a Lei: Entenda a lógica do seu mercado
Após definir a sua imagem, defina para quem você vai querer vendê-la e organize pequenas estratégias para tal. Não importa aonde você quer chegar, sempre vai precisar de uma rede de relacionamento para isso.7a Lei: Sinergia é vital
Cada um desses itens deve ser coerente com a sua imagem:Tom de voz, gestual, maneira como responde um email, maneira como atende ao telefone, como trata as pessoas, como encara as pessoas, a forma como se apresenta, postura ao caminhar, roupas, corte de cabelo e perfume.
8a lei: Jamais subestime sua audiência
Você jamais vai conseguir enganar todo mundo o tempo todo. Por isso não projete sua imagem em qualidades que você não tem. Aceite seus fracassos e limitações.9a Lei: Escolha uma atividade que possa ser o melhor do mundo e tenha paixão pelo que faz.
Ao trocar de empresa, aceitar uma oferta diferente, mudar de setor ou abrir um negócio, apegue-se a essas duas diretrizes.10a Lei: Faça algo do qual se orgulhe no futuro
Não siga apenas tocando a vida. Tenha um objetivo que, quando na velhice, sentirá orgulho de ter seguido..
14 de fevereiro de 2012
Aulas de Guitarra com Marcelo Barbosa (Presenciais ou via Skype)
Aulas de Guitarra com Marcelo Barbosa (Presenciais ou via Skype)
Marcelo Barbosa é hoje um dos professores de guitarra mais procurados do país. Sua técnica apurada, vasta experiência de ensino e ecletismo musical trazem à sua sala de aula guitarristas de todo o Brasil, do nível básico ao avançado e de variados estilos. As aulas são individuais e focadas na demanda do aluno, não importando se o mesmo deseja tornar-se um músico profissional, já é professor ou pretende apenas se divertir. Seja qual for o seu objetivo ele será alcançado mais rapidamente com a ajuda deste experiente profissional.
Vagas Limitadíssimas!
Aulas Presenciais
Todas as aulas presenciais com Marcelo Barbosa são ministradas no GTR Instituto de Guitarra - Asa Sul, em Brasília DF. São aulas semanais, individuais e com 50 minutos de duração cada.
A escola possui diversos planos de pagamento e os preços das mensalidades variam entre R$300 e R$400, dependendo do plano escolhido. Para maiores informações ligue para (061) 3245 7140 e teremos prazer em atende-lo.
Email: gtrasasul@gmail.com
Aulas via Skype
Para atender a uma demanda cada vez mais crescente de moradores de outras cidades/países, Marcelo Barbosa também ministra aulas via Skype. O Skype é um programa gratuito que permite interação em tempo real em áudio e video. (Caso necessário também pode ser usado o MSN).
As aulas têm a duração de 50 minutos e podem ser adquiridas uma a uma ou em um pacote de quatro aulas. O pagamento deve ser feito antecipadamente via transferência bancária.
Requisitos para as aulas via Skype:
Computador com acesso a Internet
Conexão Banda Larga
Web Cam
Microfone
Guitarra e amplificador
Valores das Aulas via Skype
Aula Avulsa: R$100,00
Pacote com 4 Aulas: R$350
ATENÇÃO! Não faça nenhum depósito sem antes falar diretamente com o Marcelo através do email marcelogtr@gmail.com
Dados Bancários
Banco do Brasil
Ag: 1273-4
C/C 393641-4
CPF 776057561-00
Favorecido: Marcelo Silva Barbosa
Marcelo Barbosa é hoje um dos professores de guitarra mais procurados do país. Sua técnica apurada, vasta experiência de ensino e ecletismo musical trazem à sua sala de aula guitarristas de todo o Brasil, do nível básico ao avançado e de variados estilos. As aulas são individuais e focadas na demanda do aluno, não importando se o mesmo deseja tornar-se um músico profissional, já é professor ou pretende apenas se divertir. Seja qual for o seu objetivo ele será alcançado mais rapidamente com a ajuda deste experiente profissional.
Vagas Limitadíssimas!
Aulas Presenciais
Todas as aulas presenciais com Marcelo Barbosa são ministradas no GTR Instituto de Guitarra - Asa Sul, em Brasília DF. São aulas semanais, individuais e com 50 minutos de duração cada.
A escola possui diversos planos de pagamento e os preços das mensalidades variam entre R$300 e R$400, dependendo do plano escolhido. Para maiores informações ligue para (061) 3245 7140 e teremos prazer em atende-lo.
Email: gtrasasul@gmail.com
Aulas via Skype
Para atender a uma demanda cada vez mais crescente de moradores de outras cidades/países, Marcelo Barbosa também ministra aulas via Skype. O Skype é um programa gratuito que permite interação em tempo real em áudio e video. (Caso necessário também pode ser usado o MSN).
As aulas têm a duração de 50 minutos e podem ser adquiridas uma a uma ou em um pacote de quatro aulas. O pagamento deve ser feito antecipadamente via transferência bancária.
Requisitos para as aulas via Skype:
Computador com acesso a Internet
Conexão Banda Larga
Web Cam
Microfone
Guitarra e amplificador
Valores das Aulas via Skype
Aula Avulsa: R$100,00
Pacote com 4 Aulas: R$350
ATENÇÃO! Não faça nenhum depósito sem antes falar diretamente com o Marcelo através do email marcelogtr@gmail.com
Dados Bancários
Banco do Brasil
Ag: 1273-4
C/C 393641-4
CPF 776057561-00
Favorecido: Marcelo Silva Barbosa
30 de janeiro de 2012
Podutos à venda 2012
Amplificador Mesa Boogie Triple Rectifier = R$6500
Amplificador Mesa Boogie Road King = R$5500
Amplificador Egnater Rebel 20 Head = R$3200
Amplificador Egnater Tweeker 15 Head = R$2100
Amplificador Egnater Rebel 30 Combo 1 X 12 = R$5100
Ibanez JEM Bsb (usada)
R$6000
Amplificador Orange Rocker 30 (Combo/usado) = R$4000
Placa de som Apogee Mini-Me (Funciona com Windows com qualquer Mac) = R$2500
Novos
Voodoo Lab GCX Guitar Audio Switcher = R$1500
Pedaleira Voodoo Lab Ground Control Pro = R$1500
Pedal Boss MT-2 Metal Zone = R$290
Interessados mandar email para: marcelogtr@gmail.com
|
28 de janeiro de 2012
Cool Things
Acabo que ver que dos 10 guitarristas finalistas das eleições de melhores de 2011 do Wiplash, 3 são do GTR. Eu, o Grego e o Gabriel, respectivamente meu ex-aluno e aluno. Essa eleição é uma eleição nacional. Que orgulho de um trabalho realizado com coração e profissionalismo. Parabéns ao Nathan Grego e ao Gabriel T-Bone pela dedicação e talento. Além disso, o meu parceiro de Khallice e cumpadre, Alírio Netto, que também é professor do GTR também está entre os 10 finalistas, mas como cantor.
Muito orgulho da galera!
20 de janeiro de 2012
Cool Things
1) Com o devido tempo, tudo se ajeita. De uma forma, ou de outra.
2) Bom demais estar novamente em uma NAMM. Me traz à mente a época em que isso era um sonho distante, quase irrealizável e depois à primeira vez que vim, com a grana curtíssima, o crédito do cartão e a preocupação de como pagar a conta depois... rs
3) Dirigir numa freeway por algumas horas na California, apenas com a companhia do rádio é uma oportunidade única. Se vc a tiver, não a disperdice.
3) Ter bons amigos e poder passar algum tempo a mais com eles é bom demais. Na verdade, é o que realmente importa nessa vida. Estar perto de quem você gosta e de quem gosta de você.
"Numa viagem, um homem deve andar com um companheiro que tenha a mente igual ou superior a sua; é melhor viajar sozinho do que em companhia de um tolo. "
( Sakyamuni )
2) Bom demais estar novamente em uma NAMM. Me traz à mente a época em que isso era um sonho distante, quase irrealizável e depois à primeira vez que vim, com a grana curtíssima, o crédito do cartão e a preocupação de como pagar a conta depois... rs
3) Dirigir numa freeway por algumas horas na California, apenas com a companhia do rádio é uma oportunidade única. Se vc a tiver, não a disperdice.
3) Ter bons amigos e poder passar algum tempo a mais com eles é bom demais. Na verdade, é o que realmente importa nessa vida. Estar perto de quem você gosta e de quem gosta de você.
"Numa viagem, um homem deve andar com um companheiro que tenha a mente igual ou superior a sua; é melhor viajar sozinho do que em companhia de um tolo. "
( Sakyamuni )
7 de janeiro de 2012
Nova Entrevista - Metal Kaos (Grécia)
Acaba de ser publicada mais uma entrevista minha sobre o Motion e o Almah. Desta vez, os responsáveis pelas perguntas são os gregos do site Metal Kaos. Você pode conferi-la na íntegra no link a seguir ou abaixo.
http://metalkaoz.com/interviews/4264-almah-marcelo-barbosa.html#.TwdTwwH3JTU.twitter
ALMAH's latest album, "Motion" was more than a pleasant surprise for almost every metalhead, so METAL KAOZ contacted Marcelo Barbosa, the band's guitarist, and sent him a bunch of questions. Marcelo was kind enough to reveal us some of the ALMAH's future plans, commenting also Edu's recent statement about the Brazilian Metal scene. So, enough with the small talk, and let's see what he had to say!
http://metalkaoz.com/interviews/4264-almah-marcelo-barbosa.html#.TwdTwwH3JTU.twitter
ALMAH's latest album, "Motion" was more than a pleasant surprise for almost every metalhead, so METAL KAOZ contacted Marcelo Barbosa, the band's guitarist, and sent him a bunch of questions. Marcelo was kind enough to reveal us some of the ALMAH's future plans, commenting also Edu's recent statement about the Brazilian Metal scene. So, enough with the small talk, and let's see what he had to say!
Hello from METAL KAOZ and many congrats on “Motion”. What is the feedback you are getting from the day if its release?
Hello. Thank you very much. So far, the feedback of “Motion” is pretty good. We had awesome sales numbers in Brazil and it’s going well in all countries it was released. We performed in some cities in the country and it was great as well. We did a promo trip in Japan and Europe last year and in 2012 the tour will continue...
Hello. Thank you very much. So far, the feedback of “Motion” is pretty good. We had awesome sales numbers in Brazil and it’s going well in all countries it was released. We performed in some cities in the country and it was great as well. We did a promo trip in Japan and Europe last year and in 2012 the tour will continue...
How do you feel about the final result of “Motion”? I mean, is there something that you’d like to change if you had the chance?
When you work as a part of a team, everybody always needs to give up about some personal ideas. If “Motion” was a solo album of any of us, it would be different. Since the record was made by five people I have nothing to complain about it. I love the result and if you consider it was written, arranged, recorded and mixed in less than three months the result is even more impressive. There is nothing to be changed. I look forward to recording new projects with ALMAH, KHALLICE or whatever appears in 2012...
When you work as a part of a team, everybody always needs to give up about some personal ideas. If “Motion” was a solo album of any of us, it would be different. Since the record was made by five people I have nothing to complain about it. I love the result and if you consider it was written, arranged, recorded and mixed in less than three months the result is even more impressive. There is nothing to be changed. I look forward to recording new projects with ALMAH, KHALLICE or whatever appears in 2012...
I
think in this album ALMAH sounds more solid a band and I think heavier.
What are the differences between this album and the previous one from
your point of view? In fact, I found some PANTERA references in “Zombies
Dictator” and even Edu sounds more aggressive.
You’re right. The whole process of the creation of this album was really natural and spontaneous. We wrote and recorded what we wanted and what we felt by the time we were working on it. The main difference is that during the creation process of “Fragile Equality” we had a preconception and an idea of what we should do at that time. It was good, but on the other hand we were stuck into that and somehow we were limited as artists. I love the “Fragile Equality” album. There are some incredible songs on it, but “Motion” is far more mature and I know the next one will be even better. This is a natural process when you try always to innovate, to create something you have never done before.
You’re right. The whole process of the creation of this album was really natural and spontaneous. We wrote and recorded what we wanted and what we felt by the time we were working on it. The main difference is that during the creation process of “Fragile Equality” we had a preconception and an idea of what we should do at that time. It was good, but on the other hand we were stuck into that and somehow we were limited as artists. I love the “Fragile Equality” album. There are some incredible songs on it, but “Motion” is far more mature and I know the next one will be even better. This is a natural process when you try always to innovate, to create something you have never done before.
What about your guitar work are there any changes there?
As I said previously, I’m very proud of this work. I think that if we had more time something would be different, for sure. I don’t know if it would be better or worse but different. We had about eight days to create and record all the guitars on this album. It is a short time to work on it, however I strongly believe we produced a high level of sophistication when it comes to guitar parts and sound. It was a great challenge.
As I said previously, I’m very proud of this work. I think that if we had more time something would be different, for sure. I don’t know if it would be better or worse but different. We had about eight days to create and record all the guitars on this album. It is a short time to work on it, however I strongly believe we produced a high level of sophistication when it comes to guitar parts and sound. It was a great challenge.
If you were to describe your guitar work by mentioning three guitarists, who would those be?
I’m use to listen to many different musicians and styles. Therefore, it’s really difficult for me to choose only three guitar players. There are so many great musicians out there but if I had to pick three right now, it would be Greg Howe, Steve Vai and Richie Kotzen.
I’m use to listen to many different musicians and styles. Therefore, it’s really difficult for me to choose only three guitar players. There are so many great musicians out there but if I had to pick three right now, it would be Greg Howe, Steve Vai and Richie Kotzen.
Maybe this is kind of a cliché question but can one really be a self-taught guitarist and reach a high level like yourself?
Yes, it’s possible. We have some examples but I do believe that if a person who is self-taught had a good teacher helping him, he would go further and being even better. Beside that, I don’t understand the concept of being self-taught anymore. Books and videos are most available at this time. For example, if I study the ”Speed Picking” book of Frank Gambale, am I considered a self-taught student? I don’t agree... Another point is nowadays we can easily find instructions on internet. I personally feel that there are no many self-taught guitar players like it used to be back in the days.
Yes, it’s possible. We have some examples but I do believe that if a person who is self-taught had a good teacher helping him, he would go further and being even better. Beside that, I don’t understand the concept of being self-taught anymore. Books and videos are most available at this time. For example, if I study the ”Speed Picking” book of Frank Gambale, am I considered a self-taught student? I don’t agree... Another point is nowadays we can easily find instructions on internet. I personally feel that there are no many self-taught guitar players like it used to be back in the days.
Lyrically
where does the new album stands? And in particular, can you shed some
light to “Late Night ‘85” and the ballad “When And Why”?
The lyrics of this album are most about life itself and facts we went through during our experience in this world. We choose to talk about reality, feelings and how we deal with all more them about fantasy. “Late Night” is about an experience in Edu’s life. He lost his father when he was a teenager and this song deals with that particular moment of his life. “When And Why” talks about a heart breaking moment and the hope of a new beginning of a relationship unexpected.
The lyrics of this album are most about life itself and facts we went through during our experience in this world. We choose to talk about reality, feelings and how we deal with all more them about fantasy. “Late Night” is about an experience in Edu’s life. He lost his father when he was a teenager and this song deals with that particular moment of his life. “When And Why” talks about a heart breaking moment and the hope of a new beginning of a relationship unexpected.
Tell us some things about the way you worked during the composing process of “Motion”. What was your contribution to the album?
The most of the main ideas were brought by Edu. He’s a great composer and normally does nice things really easily. Paulo, Felipe and I were responsible to increase the instrumental parts and guitar riffs. When we started to write ideas, I wrote and recorded something like 25 guitar parts and bring them to the pre-production session. Some of the riffs you heard along the songs were created by me. Some harmonies structures as well. “When And Why” is the only track I did by myself with Edu. I had the intro done and we made the other parts in less than 30 minutes. Everyone helped in the process; it’s really hard to identify who did what during the creation process. We all participated effectively.
The most of the main ideas were brought by Edu. He’s a great composer and normally does nice things really easily. Paulo, Felipe and I were responsible to increase the instrumental parts and guitar riffs. When we started to write ideas, I wrote and recorded something like 25 guitar parts and bring them to the pre-production session. Some of the riffs you heard along the songs were created by me. Some harmonies structures as well. “When And Why” is the only track I did by myself with Edu. I had the intro done and we made the other parts in less than 30 minutes. Everyone helped in the process; it’s really hard to identify who did what during the creation process. We all participated effectively.
You are also in KHALLICE, so do you have any news from their side?
I love that band. It has a special place in my heart because we started as teenagers and did so many nice things together. We stopped working in 2011 because of ALMAH but we’re trying to do something new in 2012. Probably a new album.
I love that band. It has a special place in my heart because we started as teenagers and did so many nice things together. We stopped working in 2011 because of ALMAH but we’re trying to do something new in 2012. Probably a new album.
In
a past interview with Edu he told me that ALMAH is a full time band and
not a project; how do you feel about that? Can the schedule with ANGRA
put ALMAH in slower gear?
Yes, it can always happen but now thing are more balanced. We have some plans with ALMAH and we are planning to do everything accordingly to both schedules. I have my personal projects as well as my bands and my music institute... We are always trying to keep ourselves busy with our personal projects.
Yes, it can always happen but now thing are more balanced. We have some plans with ALMAH and we are planning to do everything accordingly to both schedules. I have my personal projects as well as my bands and my music institute... We are always trying to keep ourselves busy with our personal projects.
Recently
Edu expressed some complaints about the Brazilian fans; so, do you
think that is happening only in Brazil? I mean, I don’t see much of a
support in Greece from the Greek metalheads. Maybe this is a global
thing and nowadays everyone is just following the mainstream and already
successful bands. What is your opinion on that matter?
Maybe you’re right. That interview was in a specific moment for Edu and I do believe he got off things of his chest and spoke from the heart. The matter wasn’t what he said but how he said it. On the other hand, if he drew the attention to himself and maybe made some people to realize what’s going on. Talking about the scene, these things come in cycles. Nowadays, I’m sure the metalheads aren’t supporting the scene like some years ago, but I hope soon it will change.
Maybe you’re right. That interview was in a specific moment for Edu and I do believe he got off things of his chest and spoke from the heart. The matter wasn’t what he said but how he said it. On the other hand, if he drew the attention to himself and maybe made some people to realize what’s going on. Talking about the scene, these things come in cycles. Nowadays, I’m sure the metalheads aren’t supporting the scene like some years ago, but I hope soon it will change.
The
music in “Motion” features two guitars so what about the live
performances? Will Edu handle the rhythm guitars where needed? (You have
to excuse me since I haven’t seen ALMAH live).
We have two guitar players in the band. Paulo is the other one and he is an amazing guitarist. Obviously, when a duet guitar part comes on, there’s no rhythm guitar. The rhythm in this case is made by Felipe, the bass player and the keys.
We have two guitar players in the band. Paulo is the other one and he is an amazing guitarist. Obviously, when a duet guitar part comes on, there’s no rhythm guitar. The rhythm in this case is made by Felipe, the bass player and the keys.
What
is the situation with ALMAH in the US? Is there a chance to book some
live dates there? The US audience is not that “open” to the classic
Heavy Metal even though there is strong progressive Metal scene.
We are near to release “Motion” in the USA. It will happen on January 12th and “Fragile Equality” was released there too. By the way, I’m in currently in the USA right now. I was invited to attend the NAMM Show by the Dean Markley strings who launched last year my signature model strings in Brazil. I’m taking the opportunity to see friends, meet other musicians and drink some good Californian wine. “Motion” already is available at Amazon.com on a pre-sale campaign. “Motion” is causing a great rumor among the Metal scene in Los Angeles. The US tour will come up soon.
We are near to release “Motion” in the USA. It will happen on January 12th and “Fragile Equality” was released there too. By the way, I’m in currently in the USA right now. I was invited to attend the NAMM Show by the Dean Markley strings who launched last year my signature model strings in Brazil. I’m taking the opportunity to see friends, meet other musicians and drink some good Californian wine. “Motion” already is available at Amazon.com on a pre-sale campaign. “Motion” is causing a great rumor among the Metal scene in Los Angeles. The US tour will come up soon.
So, what are the band’s immediate plans?
We are scheduling some concerts to 2012 and also started to write some new material. In Brazil, nothing happens before carnival which is in February, so, I’m pretty sure that in March we will comeback working on the support of “Motion”.
We are scheduling some concerts to 2012 and also started to write some new material. In Brazil, nothing happens before carnival which is in February, so, I’m pretty sure that in March we will comeback working on the support of “Motion”.
Marcello, thank you for your time answering to METAL KAOZ questions; please feel free to add something you like.
Thank you Kiriakos for the interview, too. It’s always a pleasure. I wish to all a happy new year with lots of success, love and respect. Hope to see you soon on the road.
Thank you Kiriakos for the interview, too. It’s always a pleasure. I wish to all a happy new year with lots of success, love and respect. Hope to see you soon on the road.
19 de dezembro de 2011
Lista de Vendas 12/2011
ESPs Eclise II - Japonesas
- 22 extra-jumbo frets
- Mahogany body with carved quilted maple top
- Cutaway design for high fret access
- Set mahogany neck
- Rosewood fretboard
- Pickups: Active EMG-81 and EMG-60
- Gotoh tune-o-matic-style bridge with stop tailpiece
- Gotoh Magnum locking tuners
- 2 volume and 2 tone controls
- White binding on body, neck, and headstock
Strato NZaganin
Corpo: Ash ( tone chambers )
Top: Ash
Braço: Maple
Escala: Rosewood
Trastes: 22 dunlop 6100
Marcação escala: dots em maple
Captador Braço: Dimarzio Area 61
Captador Meio: N.Zaganin vintage
Captador Ponte: Seymour Duncan JB
Controles: 1 volume, 1 tonalidade, 1 blender ( mistura os captadores da ponte e braço ) e 1 chave de 5 posições
Ponte: Floyd Rose by Gotoh Tarraxas: Gotoh SGM Cor: Sunburst 3 tons
Valor R$4800,00
TL Top Plus Vermelho Translúcido
Corpo: Cedro ( tone chambers )
Top: Flamed Maple
Braço: Maple em 1 peça
Escala: Maple Trastes: 22 Dunlop 6100
Marcação escala: Dots em Abalone
Captador Braço: N.Zaganin
Vintage Captador Ponte: Seymour Duncan Little '59
Controles: 1 volume, 1 tonalidade e 1 chave de 3 posições
Ponte: Gotoh 6 saddles
Tarraxas: Sperzel com trava
Cor: Vermelho Translúcido
Valor:R$4750,00
Ibanez JEM Bsb (usada)
R$6000
Outros Produtos à venda:
Amplificador Line 6 Flextone III com case top de linha e pedaleira controladora: APENAS R$3500!
Amplificador Orange Rocker 30 (Combo/usado) = R$5000
Caixa Orange 4X12 Reta (usada) = R$3500
Caixa Orange 4X12 Angulada (usada) = R$3800
Pedal Wah Fulltone Clyde Deluxe = R$600
POD X3 Pro = R$ 2650
Placa de som Apogee Mini-Me (Funciona com Windows até o XP e com qualquer Mac) = R$2500
Novos
Amplificador Orange Dual Terror = R$2400
Pedal Fulltone Fulldrive 2 Mosfet = R$600
Pedal Boss MT-2 Metal Zone = R$290
Pedal RC Booster (Xotics) = R$400
Pedal afinador Korg Pitch Black = R$390
Pedal afinador Korg Pitch Black + = R$450
Pedaleira GT-10 Boss = R$1650,00
Interessados mandar email para: marcelogtr@gmail.com
|
Assinar:
Postagens (Atom)













